So, if we’re capturing vocals, our vocalist would be in there. If we’re capturing an electric guitar, the guitar player would sit in that room with the guitar, his amp, and any microphones or lines out to capture the sound. Everything else, including noisy bandmates like myself, would be in the “control room.”

In 1972, John Fogerty left Creedence Clearwater Revival and their label, Fantasy Records. After he released his hit solo album Centerfield (1985), label head Saul Zaentz of Fantasy Records sued Fogerty for plagiarizing himself. Zaentz claimed that the single “The Old Man Down the Road” infringed upon “Run Through the Jungle,” a song that he had originally recorded with CCR under contract with Fantasy Records in 1970. Though he was not found guilty, it’s pretty novel that Fogerty was sued for sounding too much like himself!

This is still sectional, but each section happens linearly, without repetition. You can represent this sort of form as something like: Section A, B, C, D, etc.

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That’s why we wanted to give a little bit of love to some of our favorite blogs for discovering new hip-hop artists and songs. These blogs aren’t just great at sussing out the hottest new tracks, they’re also filled with amazing writers who can capture the essence of a track and the artists who write them, with just the stroke of a few keys. While we’ve included a couple streaming-centric blogs as well, what we’re really highlighting here are the blogs that tell artist’s stories — and that’s why they’ve made our list. Check it out! 

The important thing to consider here, is that you are not your voice. There are certain assumptions about the human voice that vocalists need to disarm in order to become more comfortable singing in front of an audience. You might not always notice it, but in social and political conversations, “voice” is often associated with what is extremely “personal,” for example:

The microphone that recorded my clapping hands is mimicking the action of our ears, registering the peaks and troughs through a physical diaphragm and converting these movements into an electrical signal. (*By the way, we have a whole article about how microphones work!)

According to the Ed Sullivan website, the popular host struck a handshake deal with Beatles manager Brian Epstein for, rather than a one-time appearance, a three-time opener/closer appearance. This offered exposure to over 23 million American homes on that very first performance, and thus, the ensuing Beatlemania took the United States by storm.

Producers will use this technique when they have a double chorus in their hands. If the second half of that double chorus will also be the final chorus, it can be a challenge to keep the energy at peak level. And, of course, nobody wants the final chorus to be one that loses its impact or gets boring near the end.

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This record was a hair away from not being produced at all. Syd Nathan, the “king” of King Records at the time, saw James Brown as more of a single artist and refused to finance the making of a full album, nonetheless a live one. Nathan signed Brown and put out “Please, Please, Please,” which sold quite well. Unfortunately, Brown’s next nine singles were complete flops.

The relationship between typography and music isn’t always talked about, but if a band makes use of some identifiably unique typography or linguistic symbols, you’d know right away who the artist was if you saw a piece of unnamed promotional material. The best examples of typography can even go so far as to tell an audience what genre of music a band plays, without you even having to listen to them.

This tip is especially useful if you’re super strapped for time. When you sit down to do a thing — something that will move your career forward — set a timer. Whatever time you have. Fifteen minutes, an hour, two hours; set a timer to help you focus 100% on the task at hand. For some people, this may sound like a stressful idea. I get that. But maybe this tip can help you break through that stress and get stuff done.

Berg understood that these mechanical principles were only techniques to aid the communication of emotion, rather than ends in themselves. While freeing himself from the conventionality of earlier compositional techniques, he also relaxed many of the dogmatic rules handed down by his teacher (and serialism’s doctrinaire evangelist) Arnold Schoenberg.

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