When you’re a musician, it helps to have a job that you can take off every now and then when you go on tour or into the studio, here’s a few of our faves!
Many artists brag about getting very little sleep because they’re so committed to winning. And that’s great. Good for them. And, yeah, you may have to go through seasons where you’re not getting a ton of sleep. Maybe you’re working on a project that you’re super passionate about and it’s taking some time. That’s fine, but give yourself a break every now and then.
“Thank you, I really loved this course and am so impressed with Soundfly! I want to keep taking courses with you indefinitely. I came to this course to learn about chords, and I learned about chords but also so much about music production — which I was not expecting! It was a nice surprise.”
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Eventually, the bass line drops down an octave and changes its stubborn pedaling to play chord tones along with the rest of the rhythm section. It starts with the same old D and A. Next, it moves to C♯ and A for the A chord. Then it moves to the B chord but still keeps the pressure on with that non-chord-tone A. Finally, it rounds off with a pleasant, resolute walk-up, bouncing back up between notes of the major scale and A, which is the root of the chord. Classic!
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
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Some guitarists want to hear minimal pick attack in their recordings, while others (myself included) want a lot — especially on guitar solos. Pick attack presence is a combination of pickup selection, pick type, picking location, the angle of the pick, and your amp settings.
Think of a narrative like a story you might read in a book. It should let people into your world and show your vulnerable and emotional side. People have been telling stories since the beginning of civilization. It’s how we learned to communicate and create culture, and being able to describe your story in a relatable way that fans can really latch onto is almost as important as being able to describe your music.
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I’m talking about the way compression can make tracks seem like they fit together a little better. When set up correctly, it makes the whole song feel like it’s glued together in subtle ways which give it a nice, musically polished, cohesive sound. The goal with mix buss compression would be to just tame any transients that may spike up in volume just a little too much, and then bring the overall volume of the rest of the tracks up just a bit. We’re just trying to add a little more energy and fullness to the mix.
This method might at first seem complicated, but your eyes are quicker than your fingers, so having reference points to refer to all around the guitar fretboard is a great first step towards familiarity.
+ Learn the ins and outs of pro songwriting with Soundfly’s variety of mentored online courses, such as The New Songwriter’s Workshop, Songwriting for Producers, and Unlocking the Emotional Power of Chords.
Faders Up II is designed for producers with some hands-on mixing experience who are looking to expand their arsenal of skills and approaches, especially when it comes to working with a larger variety of artists and clients. You should be ready and excited to get your feet wet working on a set of audio tracks provided by the course (and that you bring in yourself).
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.